“In a photography course that she still teaches through the not-for-profit initiative Prison University Project, Poor engaged her students – incarcerated at San Quentin – with visual mapping exercises encouraging them to write and draw directly on to the found photos. Adding poetic musings, facts and speculative theories to the works, the students interpreted a range of scenes – from visiting-room weddings and ice sculpture-carving contests to family visits and attempted escapes. Presented without context, the diagrammed images are time capsules that chart how the culture of San Quentin has evolved from the 60s to the present.“
The Guardian
September 10, 2019
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